五餅二魚

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《五餅二魚》是一幅融合信仰、象徵與材質語言的作品。畫面採用厚塗與刮刀交錯技法,以溫暖的褐色、金黃與赭紅色為主調,強烈呈現出基督教經典故事中耶穌行神蹟的象徵場景——五個餅、兩條魚,傳遞了神蹟、恩典與分享的核心意義。在這幅作品中,麵餅與魚並未以寫實方式描繪,而是以粗獷厚重的筆觸與幾近雕塑般的構圖排列在深色交錯的背景上,如同嵌於歷史與信仰的時空編織中。每一筆厚重的色彩都像是一層記憶、一段敬虔的沉思。畫面的構圖亦巧妙安排為對稱與非對稱之間的張力:三條魚與七個圓形麵餅分布在視覺中心,形成一種沉穩的旋律,帶出天與地、物質與靈性的交織。這不僅是「一個神蹟的重現」,更是一種視覺的靈修,邀請觀者靜心凝視,感受「少而成多」的神聖奧祕。

Five Loaves and Two Fish is a powerful evocation of sacred memory, drawn from the Gospel narrative where Jesus multiplies a humble offering to feed thousands. Rather than aiming for realism, Konju presents the loaves and fish in impasto relief, almost like relics preserved on a sacred altar of paint.The earthy tones of brown, ochre, and gold give the painting a liturgical warmth, as if time itself has settled into the cracks of each brushstroke. The heavy palette knife work creates textures that suggest history, humility, and transcendence. The bread glows with a golden radiance, while the fish—stark and silent—anchor the composition with symbolic gravity.The placement of the elements suggests a quiet ritual. There is balance without symmetry, order without rigidity—echoing the paradoxes of grace and divine abundance. This is not merely a biblical allusion, but a visual meditation on provision, faith, and the mystery of multiplication.

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